And this is precisely where Viltrox EPIC fits nicely into this niche. I hope you agree with me, that it is easier to sell a visual illusion when filming with such lenses. Credit: CineDĪnd this is where anamorphic lenses come to our “rescue”. This has become even more of a topic since filming in general is so much more accessible now than it’s ever been before. So next to storytelling, there is another thing that unites us all and this is the unlimited amount of effort to make our footage look different and unique. The fact that many of us are “running solo” or in small teams makes us want to be even more focused and knowledgeable, as at times there is no additional staff to fill such supporting roles as there are on bigger sets. Needless to say, that does not degrade our professionalism or dedication to what we do. Most of us are not filming big blockbuster films for Hollywood or Bollywood. Curious to find out more? Please sit back and enjoy our Viltrox EPIC Anamorphic lenses review! We took these lenses for a short spin and came back with a solid opinion. All lenses are full-frame with a 1.33x squeeze factor, a maximum aperture of T2 and much more. Now Viltrox is entering the market with three new lenses: 35mm, 50mm and 75mm. Never before have we had such a variety of lenses in different squeeze rations, build quality and price ranges. keyboard_arrow_rightCameras of the Yearįilming with anamorphic lenses is continuing to gain ground among independent filmmakers.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.
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